Nadet is an international designer, DJ and co-founder of Maison 62inc collective who currently resides between Hong Kong and Madrid.
Nadet is an international designer, DJ and co-founder of Maison 62inc collective who currently resides between Hong Kong and Madrid. Having worked in various continents, he values a cultural bridge and combines a myriad of influences to create a distinct vision.

Maison 62inc. is founded in 2020 as an incubator for experimental design and interactive projects. It’s a hub for research and cultural exchange to activate the senses and trigger deep thought.

Nadet was raised in the south of France, near Marseille, where he was immersed in underground music culture for more than ten years. He cites record labels including AFU Limited, Skyptom, 1605, Drumcode, Kompakt as inspiration since his teen years. During his early days spinning vinyl in clubs, he connected with Traumer, which followed their ongoing collaboration producing and performing. Highlights between their music camaraderie include playing in clubs such as the mythic techno room “La Villa Rouge” in Montpellier, Yaka After, and at festivals like Positiv’, Elektroblaster. He also shared the stage with Maceo Plex, Marco Bailey, Electric Rescue, Boris Brejcha, Sasha Carassi and more.

After a short hiatus away from the music stage, he will return at Minh Club with a curated set with genres from Chicago house to techno. Expect your emotions to be at an all-time high as he sets to mix formats and expose his audience to fresh tunes.

Maison 62inc. will make a debut in producing vinyl records this fall. The first release will see the collaboration with Traumer, an active and prominent figure within the French underground scene. Each vinyl record will be released in a limited edition of 62 pieces, exclusively distributed by Yoyaku Paris. This new project dials back to a slower movement of music reception and perception. It deters from the club format and production efficiency and offers collaborators a platform to engineer sounds that draw on a personal narrative. Experimentation is at the foundation of this dialogue, allowing the spectator to immerse in a sensory experience. Music to the ears is not bound by reflex but should be perceived as a token of one’s attentive, experienced and conscious enjoyment of a breadth of frequencies and sounds.